Catalog of Copyright Entries Third Series
A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Catalog of Copyright Entries Third Series Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Encyclopedia of Television Film Directors
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Film Directors on Directing
Michael Cimino, Ulu Grosbard, Ted Kotcheff, Adrian Lyne, John Milius, Alan Parker, Mark Rydell, Susan Seidelman, Joan Micklin Silver, James Toback, Francois Truffaut, and Wim Wenders discuss their approach to film
FILM ¨ BIOGRAPHY--> At first glance, George Stevens (1904Ð1975) appears to be the quintessential Hollywood director. A closer look at his achievements shows him to be more than just the creator of some of the smartest melodramas and comedies of the 1930s and 1940s, including Annie Oakley, Swing Time, and Gunga Din. Several of his films--Giant, The Diary of Anne Frank, Shane, The Greatest Story Ever Told, and A Place in the Sun--are regarded as some of the most important and enduring dramas of postwar American cinema. As a leading producer and director of his era, Stevens repeatedly pushed against the Hollywood grain and clashed with censors. George Stevens: Interviews showcases the deep moral vision of a director who is as meticulous, discerning, and contemplative in his conversations as he is as a filmmaker. Although not regarded as an auteur during his career, Stevens can now be understood as one of America's most personal and distinguished directors. Throughout this collection, his increasing concern over the control of his films is evident, and, like Alfred Hitchcock and Howard Hawks, he became a producer/director who claimed absolute control over his work. His interviews show a man committed to his chosen art and fully aware of the responsibilities that come with that choice. Paul Cronin is a writer and filmmaker.
After two short weeks under siege, the climactic battle of the Alamo lasted under an hour, but its aftermath spawned a legend. The Alamo: A Cultural History explores the transformation of the fort from its 1718 inception as a Franciscan mission to its current status as a tourist attraction, historical monument, and international symbol of freedom.
Raindance Writers Lab
If you're looking for a straightforward, practical, no-nonsense guide to scriptwriting that will hold your hand right the way through the process, read on! The Raindance Writers' Lab guides you through the tools that enable you to execute a strong treatment for a feature and be well on the way to the first draft of your script. Written by the creator of the Raindance Film Festival himself, Elliot Grove uses a hands-on approach to screenwriting based on his many years of experience teaching the subject for Raindance training. He uses step-by-step processes illustrated with diagrams and charts to lend a visual structure to the teaching. Techniques are related to real-life examples throughout, from low budget to blockbuster films. The Companion Website contains interviews with British writers and directors as well as a handy series of legal contracts, video clips and writing exercises. In this brand new 2nd edition, Grove expands on his story structure theory, as well as how to write for the internet and short films. The website also contains sample scripts and legal contracts, a writing exercise illustrated with a video clip, a folder full of useful hyperlinks for research, and a demo version of Final Draft screenwriting software.
Crazy Rich Asians
Crazy Rich Asians is the outrageously funny debut novel about three super-rich, pedigreed Chinese families and the gossip, backbiting, and scheming that occurs when the heir to one of the most massive fortunes in Asia brings home his ABC (American-born Chinese) girlfriend to the wedding of the season. When Rachel Chu agrees to spend the summer in Singapore with her boyfriend, Nicholas Young, she envisions a humble family home, long drives to explore the island, and quality time with the man she might one day marry. What she doesn't know is that Nick's family home happens to look like a palace, that she'll ride in more private planes than cars, and that with one of Asia's most eligible bachelors on her arm, Rachel might as well have a target on her back. Initiated into a world of dynastic splendor beyond imagination, Rachel meets Astrid, the It Girl of Singapore society; Eddie, whose family practically lives in the pages of the Hong Kong socialite magazines; and Eleanor, Nick's formidable mother, a woman who has very strong feelings about who her son should--and should not--marry. Uproarious, addictive, and filled with jaw-dropping opulence, Crazy Rich Asians is an insider's look at the Asian JetSet; a perfect depiction of the clash between old money and new money; between Overseas Chinese and Mainland Chinese; and a fabulous novel about what it means to be young, in love, and gloriously, crazily rich.
Filmmaking in Action
The one-stop resource for students in filmmaking Script. Direction. Design. Production. Sound. Lighting. Editing. Effects. Animation. Marketing. Careers. It’s all here. With storytelling and collaboration as core principles, industry veterans Adam Leipzig (former President of National Geographic Films), and Barry Weiss (former head of Sony Pictures animation), with Michael Goldman, guide students through the skills and the craft of video and filmmaking. Filmmaking in Action addresses the real-world situations that students will encounter in their first classroom projects and throughout their careers. Packed with stories and lessons from industry professionals, from established filmmakers to emerging independents, this soup-to-nuts book is one students will keep, and keep using, for years.
Kazan on Directing
Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes—A Streetcar Named Desire, Death of a Salesman, On the Waterfront, to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors. From the Trade Paperback edition.